Grafting 

PB.20240215.GRFT
Lo Yu 盧妤
DESCRIPTIONThe cover design for Grafting draws inspiration from the grafting of a British horse chestnut and a Hong Kong longan tree. These two plants symbolize the convergence and fusion of different cultures, echoing the book's themes of migration and diaspora. The grafting process represents how disparate cultures adapt and reconstruct themselves in new environments, embodying the fluidity and evolution of identity within globalization.

The use of traditional British botanical illustration style responds to Hong Kong's historical context as a former British colony, while visually connecting the two cultures. On the front cover, the horse chestnut and longan are depicted separately, appearing unrelated; only when readers turn to the back cover do they discover the two plants' stems grafted and intertwined, revealing their underlying connection — a design intended to spark curiosity.

The rope wound around the stems symbolizes the deep transformation and interweaving within the migration process, a metaphor for how cultures evolve through collision and adaptation. This design not only carries aesthetic tension but also deepens the book's central proposition: how migrants take root anew in foreign cultural soil.



《接木法》的封面設計靈感來自英國馬栗樹與香港龍眼樹的嫁接。這兩種植物象徵不同文化的交匯與融合,呼應書中探討的移民與離散主題。嫁接的過程代表異質文化在新環境中的適應與重構,體現全球化背景下身份認同的流動與演變。

     選用英國傳統植物科學插畫風格,回應香港作為前英國殖民地的歷史脈絡,同時在視覺上連結兩地文化。封面上,馬栗與龍眼分開描繪,看似毫無關聯;當讀者翻到封底,才發現兩株植物的莖已被嫁接、彼此纏繞,揭示它們的潛在連結——這個設計意在引發讀者的好奇。

     纏繞在莖上的繩子象徵移民過程中深層的轉化與交融,隱喻文化在碰撞與適應中的演變。這個設計不僅在美學上具有張力,也深化了書的核心命題:移民如何在新的文化土壤中重新扎根。


DISCIPLINESBook Design
Illustration

PUBLISHERsquirrel.culture - 松鼠文化 (TW)


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